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Body The SC 594 neck and bridge pickup have the same output, where most PRS have a bit higher output pickup in the bridge position. Interesting maybe to some people, but these are very small differences and may likely be unimportant to most players. The SC 594 has push-pull on the tone controls for a coil split for both humbuckers. They differ slightly. Common tern Both pickup version sound great. I have played some Les Pauls that tip the scale at 10-lbs. The PRS McCarty SC 594 has a more traditional layout (more like vintage or modern Gibson guitar) than the PRS McCarty SC 245. Closer to a Gibson P.A.F. This guitar ain’t cheap, but it is worth every penny and then some. It offers vintage sounding humbuckers and single-coil tones. A bound rosewood fingerboard with eye-catching bird inlays tops off the PRS McCarty Singlecut 594 solidbody electric guitar. Control Layout Body dimensions and shape are the same. Kite The intonation is spot-on, thanks to an updated bridge and Tweaked Phase III locking tuners. The SC 594 is said to have a V12 finish and the SC 245 was listed as Urethane. Other PRS Electric Guitars. SE One. Sometimes that's not what I want in a PRS but for this particular brief, it fits perfectly. The SC 594’s Vintage Pattern profile neck, slightly deeper than the standard Pattern profile, is a good palm-full, but suits the guitar’s vintage nature perfectly. The SC 594 neck is a bit meatier, but not a baseball bat by any means. In 1994 a new PRS guitar model was introduced – the McCarty. The SC 594 has what PRS calls an Asymmetrical Pattern Vintage. A new Pattern Vintage neck carve that is slightly thicker front to back and features an asymmetrical carve with a little less meat on the treble side, and a little more on the bass side of the neck was designed for improved playability. The Pattern Vintage neck has the same width measurements as PRS Pattern neck but is slightly thicker front to back and features an asymmetrical carve with a little less meat on the bass side of the neck toward the nut end and a little less meat on the treble side of the neck from the twelfth fret to the heel. Body: Solid body; Number of pickups: 1; Number of strings: 6; Closer to vintage P.A.F. Paul pointed out that from his measurements of many vintage Gibson guitars that this advertised scale length is incorrect. The names of the birds inlayed on the fretboard starting from the nut: The tuners on the SC 594 are newer PRS Tweaked Phase III Locking. These finishes may actually be the same as PRS lists the V12 finish being used since 2010 and the midpoint between nitro and acrylic with a classic feel all its own. The SC 594 surely moves a bit closer into Gibson Les Paul territory than the previous McCarty models. Consequently, Ted McCarty became a mentor plus dear friend to Paul and the PRS company in the late 80’s and early 90’s. Coopers hawk Ted also owned the Bigsby company before selling it to Gretsch. (Patent Applied For) than other pickups PRS offers. PRS “10-top” must have clearly defined figure across its entire top with no “dead” spots. Comparison of PRS McCarty 594 and PRS SC 245 based on specifications, reviews and ratings. This model is inspired by Ted McCarty, a friend, mentor and consultant to Paul Reed Smith for several years. Neck Has always been one of my favorite finishes and why I picked for this finish for both these guitars when I purchased them as brand new. Both are said to be thin finishes to allow the instrument to resonant… And resonant they do! But the SC 594 version is “LT” meaning low turn for a more vintage sounding lower output pickup. I haven't tried the 594 SC but I actually feel the sound of the double cut is so great, that I would rather keep some of the better ergonomics anyway. The PRS is worth a look if you have a more open mind, like the playability of a more modern guitar design or just love PRS guitars. Unlike some vintage guitars, tuning stability is excellent. pickup. A guitar designated as a 10-Top will usually have a small “10” written on the back of the headstock in the upper right corner. With the out-of-reach price of vintage instruments that are many times harder to play…. There are many other boutique builders that actually build Les Paul clones. LT meaning low turns, deliver a warmer lower-output tone. Top carve is the same. The nut on the SC 594 is bone whereas the nut on the SC 245 is Tusq. I didn't like the 245 pickups, but the P245 I have has 58/15s that I love. PRS S2 Standard Singlecut. The guitar’s asymmetrical Pattern Vintage neck carve, with its 24.594″ scale length, make it a great playing instrument. Both guitars have Mahogany necks and East Indian Rosewood bound fingerboards. This is due likely to Gibson using a different method of measuring and advertising an “abbreviation” of the actual scale length of their guitars. What is the difference in body thickness between a 594 SC and a SC245? Paul visited Ted and formed a wonderful relationship with him. Closer to my Gibson Les Paul if I had to compare. I have had a few PRS SC. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Hardware/Bridge Pickups This guitar plays like a dream and the sustain is amazing. Looking at the back of the guitar the access panel for the electronics is smaller on the SC 594 due to the different control layout. Ted McCarty passed away in 2001. Looking at both guitars it appears the SC 245 may be a slightly more glossy looking, but quite close. The PRS Bridge and Stop Tail piece for both guitars are the same as well as the rest of the hardware and control knobs. 2018 PRS SC594, 2015 PRS SC245, 1997 Gibson Les Paul Catalina, 1974 Gibson Les Paul Special, ChasingGuitars - Text and Images Used by Permission Only - All Rights Reserved 2013 - 2019, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), 1997 Gibson Custom Shop Les Paul Catalina, Fingerboard Material: East Indian Rosewood, bound, Pickups: 58/15 LT (Low Turn) pickups deliver vintage humbucking and single-coil tones with coil tap, Controls: 2 x volume, 2 x tone (push/pull coil-tap), 3-way toggle pickup switch. When properly measured the scale length of the PRS 594 is 24.594 (nut to 12th fret times by 2) and where the name for this model comes from. The goal for PRS with the McCarty 594 was to create a vintage-sounding instrument that offered the reliability and playability that comes from modern-day manufacturing. The PRS McCarty 594 was first released as a double cut with some vintage attributes from old Gibson designs that Ted McCarty was involved with in the late 1950s and early 1960s. Ted McCarty was a pioneer of the electric guitar and the musical instrument industry. Bird Inlays McCarty was responsible for a number of patents and innovations including the humbucking pickup, Tun-o-matic bridge, Gibson Explorer, Flying V, SG, Firebird and the Les Paul as well as many other models. Many people will want to make a direct comparison to a Gibson Les Paul. Chords and double stops sound lush all over the fingerboard and the locking tuners allow string bends with no tuning issues. 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